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Gnarls Barkley Breaks 18-Year Silence To Announce A Different More Final Silence

By Bruno Von Falken, . BSN Network. Satire.

Gnarls Barkley Breaks 18-Year Silence To Announce A Different More Final Silence

Cee Lo Green and Danger Mouse, the duo responsible for 2006's 'Crazy,' a song that spent the better part of a year living rent-free in every human brain on the planet, have returned from an 18-year touring hiatus to announce their final album and a nine-city farewell run called 'To Whom It Still Concerns.' The tour begins this spring. The duo, presumably, will not.

The math here is worth sitting with. Gnarls Barkley took eighteen years off from performing together, which is longer than some of their original fans have been legally allowed to drink. They used this time to record what they are now describing as their final album, which means the hiatus was not, strictly speaking, a rest. It was a long, quiet runway toward a very specific kind of goodbye.

Cee Lo Green, for his part, has not spent the intervening years in obscurity. He has released solo material, appeared on television, and generated headlines of a kind that made people wish he had simply stayed quiet, which is a sentence that also applies to the album announcement but for entirely different reasons.

Danger Mouse, meanwhile, has produced records for Beck, Red Hot Chili Peppers, U2, and a number of other artists who were themselves also supposed to have stopped by now. He is, by any measure, the busiest man in music who dresses like he is perpetually about to explain something to you in a parking garage.

The tour name, 'To Whom It Still Concerns,' has the grammatical confidence of a certified letter from a law firm and the emotional weight of a note left on a kitchen counter. It is technically correct. It is slightly aggressive. It implies that whether or not you care is your problem to sort out before the show.

Tyler, the Creator, who appeared on the new album and is therefore now officially involved in this goodbye whether he asked to be or not, described the collaboration as "something that felt necessary," which is a thing people say about both great art and root canals, and the distinction has not yet been made clear.

Nine cities have been selected for the farewell. Nine is an interesting number. It is not enough to call it a proper tour. It is not few enough to call it intimate. It is the number of cities you invite when you want to say goodbye but also want to leave some people out, which is perhaps the most honest thing about the entire enterprise.

Tickets are available now. The album is available now. The silence, by contrast, is apparently available in approximately six months, following a brief stopover in venues that seat between two and eighteen thousand people depending on the city's enthusiasm for closures.

Cee Lo, in a statement, called the record "a real conversation between two people who have known each other long enough to tell the truth." Which is lovely. It is also a description of a divorce proceeding, and both readings feel equally plausible given the timeline.

Gnarls Barkley was crazy. Now they are finished. Somewhere in between, they made a farewell album nobody knew was coming, scheduled nine shows to promote it, and named the whole exercise after the dwindling population of people who still check the mail.

The remaining fans are asked to attend promptly. Doors open at eight. This, unlike the last eighteen years, will not repeat.

The story we are making fun of: https://www.vice.com/en/article/gnarls-barkley-announces-their-first-tour-in-18-years-after-releasing-the-duos-final-album/

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